An Interview With Maggie Gulasey By Stan Evans

This is the first in a new series of features by Stan Evans that we’ll be publishing on Silodrome to highlight voices that are often underrepresented in the parallel automotive and motorcycle communities. In the coming months he’ll be bringing you a number of interviews with a fascinating range of diverse, remarkable people from the United States and around the world.

 

Maggie – Tell Us A Little About Yourself And Your Work

Though we seem to be increasingly rare these days, I am a Colorado native, presently residing in Denver. I have tried to move away a few times but always end up back in The Mile High City. Something about this place has a grip on me and when I am away, I miss it dearly. That says a lot because I am only a half-step down from proclaiming true distain for the cold, snow, and winters in general, which is comical seeing as I have chosen to only own a motorcycle as my sole mode of transportation.

I enjoy the challenge of only having a bike and find relief in not dealing with a plethora of annoying elements that come with owning a car. That being said, there are a handful of blistery winter days that I sincerely question my life choices. For example, when I took my bike out for coffee this morning it was 22 degrees Fahrenheit. I will not hesitate to throw some shade at the cold while keeping in mind this was my decision to live in Colorado as well as abstaining from the comforts of four wheels.

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If I am not out riding my motorcycle, I am either writing about them as a freelance journalist or working as a user experience designer. The agency I work for as a UX Designer specializes in the off-roading industry and I work with a team of people who encourage me to get my work done and then go ride my dirt bike, often with them joining me. There is no better team building exercise than crashing on a dirt bike alongside your bosses.

Writing has always been a more effective means of communication for me. I am enthralled by storytelling and find that expressing my words comes more readily when I write them versus speak them. With that being said, no matter what I do in life, writing will always be a part of it in one form or another. I am currently operating as a freelance motorcycle writer and have been able to embark on some unbelievable adventures and ride a myriad of beautiful motorcycles as a result. Most recently, I jetted off to Los Angeles to meet up with photographer Stan Evans and carved the California canyons on the MV Agusta Superveloce 800 for a fun, collaborative piece that challenged both my writing and riding skills.

No matter what my 9 to 5 is moving forward, writing will invariably be my constant. I have found my home in motorcycle-based journalism and only have plans to ramp it up. I am enchanted by the freedom that freelancing bestows upon me and plan to use that gift to dream up unique motorcycle tales to share with whomever is willing to consume them.

How Did You Get Into Riding?

About ten years ago I was living in this small, decrepit house with its only redeeming quality being an abnormally large backyard. Little did I know what life-altering treasure was awaiting me in my little forest. My roommate stored her never-ridden CRF50F back there and poor thing was getting lonely.

It did not take much persuading for me to convince her that we needed to learn how to ride that baby dirt bike. Mistakenly, we mentioned this experiment to friends and family to share in the excitement but were instead met with an onslaught of unsolicited tips, tricks, hesitations, and offers to be our riding coach. We were also told over and over again how dangerous motorcycles are, especially for girls, and we should not even open up that can of worms.

My roommate and I were similarly wired and our stubborn nature kicked in. The more we were told not to ride, only made me want to ride more. The more people telling us the “right” way to learn, the more I just wanted to teach myself. The only way this was going to work for us is if we ignored the stockpile of varied tips the well-intended men in our lives were giving us and just throw a leg over, start the damn thing up, and figure it out for ourselves.

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So, one day we pulled the bike into the yard – our merciful practice ground – and decided we were going to shake our ordinary existence up. Through trial and error, we were going to learn how to ride a motorcycle. On our own. Though the catalyst to learn independently was partially motivated by pride, I would not have wanted it to unfold any other way.

Admittedly, the struggle was very real and many hours were consumed with abundant failures, spills, and frustrations. However, we eventually figured it out, albeit graceless, and I would be forever hooked. Riding a motorcycle awoke a hunger in me and though it was and still can be a struggle (particularly on dirt bikes), it is where I truly feel myself.

More satisfying than any external gratification, riding a moto appeases something deeply intrinsic. While I owe so much gratitude to the people who have helped me improve my skills on the motorcycle over the last decade, knowing my friend and I crossed that initial hurdle completely on our own is something that I will forever treasure.

How Do You Get Other People Into Riding, And How Are You Building/Connecting With The Community?

My motorcycle has unquestionably been a conduit for many extraordinary experiences that have ignited life-long bonds with some rad people. I specifically attribute my writing for giving impetus to many of the connections and friendships I hold close to my heart. Motorcycles set my soul on fire and I desire for other to feel even a glimmer of that burn through my stories.

As someone who has always loved storytelling, I was very fortunate to work with the talented people behind META magazine. It was there that I was able to combine my love of motorcycles, adventure, and writing. I wanted to share my experiences with others, evoking a similar passion and inspiring wanderlust through my words. There have been no greater affairs than those abroad my steel pony and if I could elicit even a fraction of that feeling in someone reading my stories, then I am a happy girl.

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There were not many (if any) females writing for META and I was grateful they gave me the space to write motorcycle adventures my way. Even if my stories were abstract, poetic, or otherworldly, my voice was never quelled. I rode a Tiger across parts of Oregon and Washington, searched for aliens in New Mexico on an R nineT, foraged for herbs in the Colorado mountains abroad an FX 350, interviewed my favorite rock-and-roll band, spent an entire day with Tom DeLonge and several other one-of-a-kind projects. Though I was always the lone lady on these undertakings, the team of people were more concerned with the creative output and the passion for riding than my gender.

One of my proudest moments as a writer was when my story, Terra Incognita, made the cover. Not only was I the first woman on the cover of META, but my eccentric idea about searching for extraterrestrial life from the seat of my terrestrial rocket actually resonated with others, including brands like BMW who were willing to take a chance on us. It was a story I pulled from the depths of life-long interests, proving to myself that being exactly who I am pays off. It is a humbling experience when this goofy girl can land a cover that has been shared with legends like Jason Anderson, Jeremy McGrath, Carey Hart, and more.

There have been times in my life where I thought I needed to adapt or subdue my inherent quirky nature in order to appease those I am working with. But after some life experience and more confidence under my belt, I finally started saying screw it. Motorcycles have helped me with that tremendously. I would advocate for simply being your funky, unique self and know that someone will connect with it and you, exactly as you are. Ruffle some feathers. Stir shit up. Cause a commotion. If it is coming from a good place and you are not harming others (and I do not mean feelings, you big babies), then get after it.

What’s Your Most Memorable Moto Experience?

It is funny when you view the polished product of your hard work in a magazine, it gives the appearance that the trip was nothing but magical. There are definitely no shortages of gratifying moments, but what the reader does not see is the strife, struggle and stress that goes into the production of these experiences. It is not all glamorous, but I also would not want it to be any other way.

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A few years back I had the opportunity to follow along in Woody Guthrie’s footsteps and explore parts of the Pacific Northwest on Triumph Tigers with quite the crew of characters. I was the only girl riding with former professional dirt bike riders, business owners, and notable innovators in the motorcycle industry. It was a little intimidating to be riding with such a distinguished squad, but I was too excited for this quest to get hung up on it.

Our first time meeting each other was to be at the location our Tigers for the trek were parked. There were four bikes prepped and four of us awaiting to meet our match. I remember one of the guys took a look at the bikes, and then at all of us, holding a prolonged glance in my direction, and said, “So who is going to ride this fourth bike?” I laughed because I thought he was teasing me, but he was serious.

Slightly irritated I responded with, “Well, considering I am writing the story I am obviously going to be riding the bike.” To which he responded, “Are you sure you can even ride this thing? Are you tall enough? I just really don’t want anyone crashing.” Mind you, he had never met me nor knew anything about my riding experience. It was pretty insulting, to say the least. I replied with, “The bike and I will be fine.” I am most definitely not a pro, but I do know how to hold my own on a bike. Being sufficiently prepared, however, is a slightly different story.

It was not the most ideal way to embark on a journey, but I wanted to get through the week and embrace this wonderful opportunity, so I let the baseless taunting slide. It was the end of October and my first time riding in Oregon and I significantly underestimated the elements. I did not anticipate the bombardment of freezing rain and snow and was clearly a layer or two short. I felt like I was already starting this trip at a disadvantage with some of the team members so did not want to admit how ill-prepared I was, only to ratify their unfounded suspicions about me.

So, I froze. It was dumb and dangerous and I only have myself to blame for that. The heated hand grips had nothing on our ascent to the top of Mount Hood and to be honest, I truly do not know how I made it to the summit. The snow was coming down hard and my legs and hands were so frozen that any kind of significant breaking, accelerating or shifting was not going to happen. Saying I rode up Mount Hood is a little generous; I passively glided up the mountain on a sheet of ice, praying there was some body part thawed out enough to engage the brakes once I reached the parking lot of our destination.

 

After miraculously making it to our stop without incident, I could tell the negative Nancy lightened up towards me a bit. The trip continued on for several more days with its fair share of hurdles and hiccups but the ride was itself (when it was not raining or snowing) was breathtaking. The crew ended up bonding over riding and surviving such misery. This was the kind of trip that was memorable because of the discomfort and struggle. Which, after you make it out alive, are kind of the best adventures.

What are the progressive changes you have seen in the industry, or things you’d like to see change?

Nothing makes me happier than seeing so many women ride motorcycles and over the last ten years, that number has significantly increased. I ride with a multitude of ladies that inspire me and push my skills on the street and dirt. The support and encouragement we have for one another is a force to be reckoned with.

Social media is an element that has grown the motorcycle community immensely and is an encouragement for many new female riders. I have met many of the awesome women I spoke of through platforms such as Instagram. For the most part, it is a really beautiful thing, but I have also observed and experienced the darker side of it.

I think we spend too much time judging others instead of worrying about ourselves. I am not immune; I am speaking to myself as well. There are plenty of things posted on social media that could induce and eyeroll and when people are feeling especially insecure, a hefty amount of trolling may ensue. The worst of it to me, however, is when I see women bashing other women.

When women band together, we are mighty. So as more and more women ride, let us keep channeling that energy into something positive and supportive rather than something hateful. I see too many women judging and talking negatively about some girl on her bike not wearing protective gear, for example. I get it, I strongly believe in being safe and wearing the proper gear when riding – I have been in a few crashes where the gear prevented significant injuries and therefore make sure I am covered when I ride, though I could always do better. But, I also may snap a pic sitting on my bike with my jacket off and tank top underneath.

If you have a problem with that, why not have a thoughtful conversation with me? I would love nothing more. Or, instead of stressing over what other people are doing, how about we just be pumped that more women are riding, we continue to be the example that is most conducive for ourselves, and do our best to support others. It would behoove us to not take out our insecurities on others. If people are in it for the wrong reasons, they will not last long and I hope that they are safe in the meantime.

How do you define style or influences – like what bike you normally ride or what things about bikes draw you in?

When it comes to my style for motorcycles, I am always seeking that delicate balance between form and function. I want a good-looking bike, which to me translates to a more classic, clean style. However, it cannot be all looks; I want performance to hold its own.

My first few bikes were vintage two-strokes – an RD400 and G6. Both slender, spicy, smokey machines. I found them to be gorgeous and the two-smoke performance (and smell) is addictive. When my RD hit its powerband, it is like the world goes from black and white to color; a truly magical experience. Thanks to my 2Ts, I became a pro a cleaning my points and swapping out my spark plugs, which eventually got old.

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When I transitioned to modern bikes, I gravitated towards the scramblers. I had a Ducati Scrambler that I adored for it was reminiscent of my dirt bike, feeling agile and slender and a riding position I was more comfortable with. I eventually started craving a little more oomph and found that in my current bike, the BMW R nineT.

The first time I ever rode an R nineT was working on Terra Incognita for META. I spent a solid week on the machine and fell head over heels in love. There was no doubt in my mind that I would eventually own one. Though bulkier than I would like with the boxer engine, I still found its retro style alluring. It had that extra torque I was itching for yet still was surprisingly nimble. My R nineT makes my eyes twinkle and gracefully achieves that dance between form and function.

Staying loyal to my BMW, there are no other motorcycles I am sincerely eyeing at the moment. I will probably always lust over the Ducati Scrambler Desert Sled or the Triumph Scrambler 1200 XC. But my next motorcycle will be a dirt bike as I spend most of my waking moments daydreaming about riding trails and racing tracks. I am still a beginner but there is nothing I want more than to be on a dirt bike. Style wise, I think those Husqvarna FC 250s are sexy. I also would not mind a Honda or Kawasaki (go Tomac).

Follow Maggie here on Instagram to stay up to date with her adventures.

 

A Word About This Series By Its Creator – Stan Evans

In engine culture it is easy to associate tradition and celebrate heritage as the norm, I think it’s time to embrace those that challenge the status quo. As we turn the page, we want to celebrate a new breed of motorist who discovered motorcycles and cars as a means of escape – and in that moment of clarity found their true selves.

This is the first in a new series of features by Stan Evans that we’ll be publishing on Silodrome to highlight voices that are often underrepresented in the parallel automotive and motorcycle communities. In the coming months he’ll be bringing you a number of interviews with a fascinating range of diverse, remarkable people from the United States and around the world.

We are out finding interesting, eclectic people that care about inclusivity and taking their role as advocates to heart, bringing new enthusiasts to the road and letting them tell their stories in their own words.

In addition to this, we’re working on a mentorship program with a select group of photographers and journalists to give hands-on instruction and help build future generations of creatives. This story is the first step and we hope part of the catalyst within the industry to walk the walk instead of just talking the talk.

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Images: Stan Evans – Copyright 2021©

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Rare Racing Car For Sale: An AC Frua Fastback – Semi Lightweight

The AC Frua was built on the same chassis as the mighty AC Cobra 427 Mark III, though it was stretched by 6 inches to give the car a little more room for a luxurious GT-style interior.

The relationship between Britain’s AC Cars and Carroll Shelby is well-known, they formed a partnership that resulted in the Shelby Cobra, sometimes called the AC Cobra, which became one of the most successful and beloved sports cars of its time.

The AC Frua

The first Cobras had a chassis and body built by AC Cars in Britain and then shipped to the United States for the engine and transmission to be fitted, along with general finishing.

Later Mark III versions of the Cobra used 4″ tubular steel chassis that had been developed in collaboration with Ford, this chassis was built for better rigidity and in order to allow the car to accept Ford’s big block V8s. The new Shelby Cobra 427 was released in 1965 and it got the people over at AC Cars thinking – if they could get access to this new chassis and drivetrain package they could develop their own body for it and release it as their own new grand tourer.

Carroll Shelby was one who famously never missed an opportunity to do a deal, so a deal was done and AC had access to everything they needed for a new GT car that could rival the best coming from Italy and England.

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Above Image: This car has been extensively modified for vintage motorsport events, and it needs a new owner to get it back on track.

The only left to do was to get a body designed and built for the new AC. This part of the car’s history is a little more hazy however we do know that they struck an agreement with Frua in Italy who would both design and build the steel bodies for the new car, hence the final model name: AC Frua.

The design of the car has been compared with the Maserati Mistral which was also penned by Pietro Frua, the similarity is remarkable and the cars were being manufactured at the same time, although the Mistral was designed and released three years prior to the AC Frua.

Interestingly the two cars shared no body panels in common, and the only interchangeable parts are said to be the front quarter windows and door handles.

The process to build each car was complex. The rolling chassis were fabricated by AC Cars in England before being shipped to Italy to have their bodies fitted. One complete they were shipped back for the installation of the drivetrain and finishing.

This process led to exorbitant overhead costs which could only be recouped in the final sales price, and so the car was £5,573 – a remarkable sum for the day particularly when you compare it to the cost of a new Aston Martin DB6 at £4,460 or a new Jaguar E-Type at just £2,225.

When it was first released as a two-seater convertible at the 1965 Earls Court Motor Show the new AC Frua caused a sensation, the combination of Italian, American, and British influences had created a truly multi-national sporting GT car that could keep pace with the best in the world.

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Above Image: This AC Frua is fitted with a highly-modified Ford 427 cubic inch V8 producing a prodigious 580 lb ft of torque.

A year later in 1966 the fastback coupe was released at the Geneva Salon and it proved equally popular. AC would keep the car in production from 1966 until 1973, due to the rather expensive nature of them just 80 would be built, 51 convertibles and 29 coupes.

Customers could order their new car with either the Iron “big block” Ford FE 428 or the higher performance Ford 427 engine (side oiler), these engines produced 345 hp with 474 lb ft or 385 hp with 460 lb ft respectively.

The AC Frua Fastback Shown Here

The AC Frua you see here has been considerably modified for racing, the car has competed extensively in its current trim and it would now suit a new owner who’s going to put some work into it for more racing, or someone who wants to return it back to factory stock.

The staggering list of modifications applied to this car is a thing to behold and I won’t repeat it all here, however you’ll find it all listed on the page linked below. The car is fitted with doors, a boot, and bonnet skin made from aluminum which was all fitted by AC in their Brooklands factory in the 1970s. In the engine bay you’ll find the 427 cubic inch Ford “side oiler”, an engine that was raced extensively in period NASCAR competition.

This engine has been significantly modified for racing, it has a forged-steel cross-drilled crank stroked to displace 8.3 litres (482 cubic inches), cross-bolted main bearing caps and screw in core plugs, solid tappets and aluminium Drove roller rockers, a high-lift camshaft, all fitted with ARP grade eight bolts, and it produces approximately 580 lb ft of torque.

If you’d like to read more about this car or enquire about taking it home you can click here to visit the listing on Car Vault Co. It’s currently listed for £110,000 and it’s still available at the time of writing.

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Images courtesy of Car Vault Co.

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How To Win The Dakar Classic 2021 – The Story Of The Sunhill Buggy

In 2021 for the first time ever there was a classic class in the Dakar Rally – allowing the iconic Paris Dakar vehicles of the 1970s, 1980s, and 1990s to once again take to the start line and battle it out against some of the toughest terrain, and competitors, in the world.

The Dakar Classic runs alongside the Dakar on a parallel course, vehicles do often share the start and finish line, and driver briefings are all done together each morning.

Once of the most unusual vehicles to take part in the inaugural Dakar Classic was the car you see here, it was originally built by Yves Sunhill and his crew in 1978 to take part in the first ever Paris Dakar Rally in 1979.

At the time Frenchman Yves Sunhill was traveling frequently to the United States where he became familiar with the heavily modified VW Beetles being used in off-road racing competition. He likely also saw some of the many Meyers Manx vehicles that were proving almost unstoppable in many desert races – these also shared VW Beetle underpinnings of course.

When Sunhill and his small team set about designing their own new racing buggy to take part in a new kind of desert race from Paris, France to Dakar, Morocco he took the lessons he had learned in the USA and modified them to suit this new race.

Sunhill Buggy was given a custom space frame chassis that offered excellent rigidity and protection for both the driver and co-driver. This was then mated to a modified front and rear end from a VW Beetle, a Beetle gearbox was also used however interestingly they didn’t use a VW engine – instead opting for an engine from a Renault 16.

Above Image: Watch the highlights of the 2021 Dakar including footage of the buggy shown here.

Though this engine choice may seem odd it was likely made for two reasons, firstly they had good access to performance parts and experts for the French engine, and secondly the Renault 16 engine is water-cooled and therefore may have been preferred for racing in the baking temperatures of the North African desert.

The Renault engine was rebuilt by engineers at Alpine specifically for motorsport use, they took the standard 1600cc inline-four and stroked it, a series of other modifications gave it a power output of 160 bhp – a marked increase from the original 61 bhp.

The central section of the car is covered in sheet steel, and the front and rear sections use fiberglass panels which were designed by Sunhill himself. As a designer he carefully developed the car and the seating position to give both the driver and co-driver excellent front and side visibility to better navigate unpredictable terrain.

For the inaugural 1979 Paris Dakar Rally Yves Sunhill set off with Jean-Paul Sevin and made a remarkably promising start. Unfortunately in Niger they suffered a cracked heat exchanger and were forced to retire.

The buggy would stay in Niger in the possession of a French expat resident, and it was shown at a number of events over the years celebrating the history of the race.

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Above Image: It was a tight fit inside the Sunhill Buggy, hundreds of kilometers were covered like this each day.

Many years later the original buggy was acquired by Marc Douton who would drive the car alongside co-driver Emilien Etienne. The buggy was completely stripped and rebuilt in collaboration with Nantes Prestige Auto run by Jeremy Athimon specifically to compete in the 2021 Dakar Classic.

Douton and Etienne are no newcomers to the sport, Douton has been racing off-road since he was 10 and together the two men raced together in a Buggy Baboulin in 2016 before winning the Moroccan VW Africa Trophy in 2017 and 2019.

The buggy needed a complete restoration and a new engine, the frame also needed serious modifications as both the original occupants had been below 165cm in height, but Douton and Etienne are 176cm and 186cm respectively. This required modifying the frame elements under the floor to lower both seats safely, without needing to cut into the overhead sections of the roll cage.

The vehicle is now equipped with a 1,600cc VW Beetle engine that was modified for racing by BR Concept, it now has a swept capacity of 2,110cc and 130 bhp – the engine was built specifically to produce as much torque as possible through the entire rev-range.

Elsewhere the chassis was reinforced for added strength, the suspension was upgraded, and the safety equipment was brought up to 2021 standards.

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Above Image: The Sunhill Buggy was well suited to the terrain, taking 7 of 12 stage wins and winning the overall event.

Both the driver and co-driver were fitted out with sunglasses and goggles by team sponsor Vallon, these were chosen because they fit the retro-theme of the Dakar Classic but they still provide full modern protection.

Back in 1979 Yves Sunhill and Jean-Paul Sevin had shown the potential of this vehicle, and in 2021 Marc Douton and Emilien Etienne would finish the story. They led the race from day one to the podium, winning 7 of the 12 stages, and winning the first Dakar Classic outright in a convincing fashion.

The plans for the future include modifying the buggy with electric motors and either batteries or a fuel cell, they plan to continue racing it extensively so we’ll doubtless be seeing it on the top step of the podium again.

If you’d like to read more about the Dakar Classic you can click here, and if you’d like to see Marc Douton and Emilien Etienne’s profile page you can click here.

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Images courtesy of Dakar®

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Holden Monaro GTS – Australia’s Answer To The Ford Mustang

This is an original, unrestored Holden Monaro GTS, it was Australia’s answer to the onslaught of American muscle cars in the 1960s like the Mustang and the Camaro, and it would arguably become Holden’s most loved car of all time.

The Monaro – Australia’s Pillarless Sports Coupe

The first Holden Monaro was released in 1968 and sold over three model iterations until 1971. The styling was influenced by American V8 coupes like the Ford Mustang and Chevrolet Camaro, however the Monaro was entirely unique and it quickly became one of the most desirable sports cars in the country.

The elegant design of the Monaro belied its capabilities on track, over the course of the late 1960s and early 1970s Holden Monaros would win a slew of important Australian races and championships including the Hardie-Ferodo 500 (now known as the Bathurst 1000) on two occasions and the 1970 Australian Touring Car Championship.

Interestingly the Monaro didn’t have a name for much of its development, hundreds of names were tossed around and the name “Torana” seemed like the final choice until Noel Bedford, member of Holden’s design team, discovered the name by accident while on a family road trip holiday.

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Above Image: The styling of the Monaro was done 100% in-house at Holden, but it took some inspiration from similarly equipped American cars.

Bedford was driving through the town of Cooma in New South Wales in Australia’s east when he saw a road sign: “It said Monaro County Council in western-type lettering that reminded me of “Marlboro Country” and “Camaro”. It seemed to me so simple and logical. Why didn’t somebody think of it before? I was quite excited and couldn’t wait to get back to work.” – Noel Bedford

After he got back to the office and checked the trademark status of the name Holden held an impromptu board meeting and approved it.

The first generation Monaro would be built in three iterations, the Monaro HK, Monaro HT, and finally the Monaro HG. They all share the same body panels and look indistinguishable to the non-trained eye but there were a slew of changes made underneath and in the engine bay.

Initially you could buy a Monaro with a straight-six under the hood, you could opt for either a 5.0 litre (307 cubic inch) V8 or the top-of-the-line GTS model with a 327 cubic inch small-block Chevrolet V8. At this time Holden engineers were hard at work on their own V8 engine, this new engine was developed 100% in-house and it was intended to become the company’s flagship engine – which it was between 1969 and 2000.

In 1969 you could order your new Monaro with the new Holden V8, a 308 cubic inch (5.0 litre) 90º V8 with 16 push-rod actuated valves and cross-flow heads. This engine proved popular both because it was smaller and lighter than the 327 cubic inch Chevrolet V8 and because it would give its owners bragging rights as owners of a “100% Australian muscle car”.

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Above Image: Original Monaros with the Australian 308 cubic inch V8 are highly sought after by collectors today.

Today these original first generation Holden Monaros are highly sought after in Australia, particularly the GTS V8 versions which had proven so successful on the race track.

The 1971 Holden Monaro GTS 308 Shown Here

The car you see here is an original GTS equipped with the Australian-developed 308 cubic inch V8. Unusually this car is also an unrestored survivor – a rare find nowadays as many of these early Monaros have been restored back to showroom condition but perhaps lack the character of a car in its original paint.

As a 308 V8 equipped GTS the car will have a great deal of appeal to many Australians, it’s fitted with the desirable Saginaw 4-speed manual transmission, and it has factory air-conditioning, power steering, and the side stripe delete option.

The car is finished in Electra Blue over a black and houndstooth interior, it’s still wearing the correct steel wheels, and it has just 16,660 miles on the odometer.

If you’d like to read more about this unusual piece of Australian history of register to bid you can click here, it’s currently being offered on Collecting Cars with approximately two days left on the bidding.

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Images courtesy of Collecting Cars

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The Tamiya FMC XR311 R/C – A Re-Release Of Tamiya’s First Off-Road Buggy From 1977

The unusual looking buggy you see here is historic two for reasons, firstly (the full scale version) was a prototype intended to replace the venerable Jeep, and secondly because the R/C version by Tamiya was the Japanese company’s first off-road buggy.

The reason why the folks at Tamiya choose this prototype as their first off-roader is interesting, and it’s possible that they took a gamble on this being the vehicle that was chosen to replace the Jeep – so they would have the brand new “Jeep” available as an R/C model.

The model is based on the FMC XR311, a prototype military vehicle that entered development in 1969. A number of development models were built and the military are known to have bought at least a dozen of them set up to perform various tasks.

The US military ordered a number of FMC XR311s for testing purposes and they could be configured to fulfill a multitude of roles including anti-tank, reconnaissance patrol, convoy escort, command and control, medivac, military police, mortar carrier, internal security and forward air defense communications vehicle.

Above Video: Footage of the Tamiya FMC XR311 being put through its paces.

The FMC XR311 likely had an influence on both the Lamborghini Cheetah and AM General’s HMMWV – better known as the Humvee and the vehicle that would eventually fill the role.

The XR311 had a rear-engine, four-wheel drive layout with power sent from the Chrysler V8 engine through a 3-speed TorqueFlite A727 automatic transmission and a single-speed full time transfer case.

These vehicles were tested extensively throughout the 1970s and they did look like a likely M151 Jeep replacement – likely enough that Tamiya created their model of it, the development of which likely started in the mid-1970s, before the FMC XR311 project was cancelled.

First released in 1977 the Tamiya FMC XR311 R/C is now largely unknown, and it’s certainly far less famous than the brand’s better-known off-roaders like the Tamiya Hornet. Tamiya recently brought the model back into full production for people who missed out the first time around.

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FMC XR311

Above Image: An artist’s rendition of the original FMC XR311 vehicle.

The post The Tamiya FMC XR311 R/C – A Re-Release Of Tamiya’s First Off-Road Buggy From 1977 appeared first on Silodrome.



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For Sale: A Restored Dodge M37 – A Tough Ex-Military 4×4 Pickup Truck

The Dodge M37 was developed as an improved version of the venerable Dodge WC Series 4×4 trucks from WWII. When engineers set to work designing the M37 they took everything that worked well on the WC trucks and redesigned anything that didn’t – resulting in a truck so tough that some of them remain in service to this day with civilian agencies in rural areas.

The Dodge WC 4×4 trucks were critically important vehicles during the war, they also introduced an entire generation of young men to four-wheel drive drivetrains and pickup trucks.

There’s no way of directly quantifying the influence this had on them, but we do know that in the years after WWII the popularity of both 4×4 vehicles and pickup trucks would skyrocket across the United States.

With the 3/4 Ton M37 Dodge were working to fulfill the needs of the US Military heading into the 1950s and 1960s. Although the earlier WC series trucks had been invaluable during the war there were some shortcomings that came to light, and Dodge worked to solve them all.

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Above Image: The unmistakable profile of the M37, this truck carries all of its period-correct military markings.

Firstly, the width of the M37 was slightly less than that of the WC, and it was also a little shorter – giving it a lower profile. The original four-speed gearbox was replaced with a newer fully-syncromesh four-speed which made the truck much easier to drive for newly enlisted 18 year olds with limited time behind the wheel.

The M37 also used a sealed 24 volt electrical system, a waterproof ignition system, built-in deep water fording ability, much improved weather protection, and steel doors with roll-up glass windows were available on many variants.

The original inline-six cylinder gasoline engine from the WC series was modified for use in the Dodge M37. This engine was originally sourced from a 1930s era passenger car, however it had been through a series of modifications for use in trucks. Power was just 78 bhp at 3,200 rpm however the M37 was never intended to be quick, just tough and dependable.

Power was sent back through the four-speed transmission into a two-speed transfer case. The front axle could be disconnected to save fuel when four-wheel drive wasn’t needed, and the two-speed transfer case allowed for high and low range operation.

Dodge M37 Truck 3

Above Image: Although still utilitarian, the interior of the M37 was a considerable improvement over its predecessors.

Over the course of the 1951 to 1968 production run Dodge would build over 115,000 examples of the M37. The trucks were deployed to the Korean War and the Vietnam War, and they played a role in a series of other conflicts including the Laotian Civil War, the Nicaraguan Revolution, the Cambodian Civil War, the Salvadoran Civil War, and the Guatemalan Civil War.

Once they were slowly retired from service many were sold into civilian hands, and today they’re seeing a surge in popularity along with many other vintage 4x4s.

The 1953 Dodge M37 you see here has been given a full frame-off restoration, it was resprayed with period-correct military markings and numbers, and it’s fitted with the correct information plates. It carries the correct field tools on the tailgate and it’s sitting on 9×16 non-directional military issue tires.

Inside you’ll find a reupholstered interior, there’s a multi-purpose box on the floor, and the steering wheel and other plastic items are in excellent condition.

If you’d like to read more about it or register to bid you can click here to visit the listing on Mecum, it’s due to roll across the auction block in March.

Dodge M37 4x4 Truck Specifications

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Images courtesy of Mecum

The post For Sale: A Restored Dodge M37 – A Tough Ex-Military 4×4 Pickup Truck appeared first on Silodrome.



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